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“TO read a novel is a difficult and complex art,” Virginia Woolf wrote in a 1925 essay, “How to Read a Book.” Today, with our powers of concentration atrophied by the staccato communication of the Internet and attention easily diverted to addictive entertainment on our phones and tablets, book-length reading is harder still.

It’s not just more difficult to find the time and focus that a book demands. Longstanding allies of the reader, professionals who have traditionally provided guidance for those picking up a book, are disappearing fast. The broad, inclusive conversation around interesting titles that such experts helped facilitate is likewise dissipating. Reading, always a solitary affair, is increasingly a lonely one.

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– http://www.nytimes.com/2014/01/05/opinion/sunday/the-loneliness-of-the-long-distance-reader.html?ref=todayspaper

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This online ad customization technique is known as behavioral targeting, but Pandora adds a music layer. Pandora has collected song preference and other details about more than 200 million registered users, and those people have expressed their song likes and dislikes by pressing the site’s thumbs-up and thumbs-down buttons more than 35 billion times. Because Pandora needs to understand the type of device a listener is using in order to deliver songs in a playable format, its system also knows whether people are tuning in from their cars, from iPhones or Android phones or from desktops.

So it seems only logical for the company to start seeking correlations between users’ listening habits and the kinds of ads they might be most receptive to.

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– http://www.nytimes.com/2014/01/05/technology/pandora-mines-users-data-to-better-target-ads.html?ref=todayspaper

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All told, the sales picture in the report is bleak: “The 20/20 Experience” was the only album to sell more than 2 million copies last year, and it is only the second album since 1991 to top the year-end chart with fewer than 3 million sales. The previous low-selling No. 1, and the other to reach the top rung after selling fewer than 3 million,  was Lil Wayne’s “Tha Carter III” (Cash Money/Universal Motown), which sold 2.87 million in 2008.

Moreover, album sales overall dropped 8 percent in 2013, to 289.4 million from almost 316 million in 2012. Sales of CDs dropped 14 percent over the year, and even digital download sales dropped slightly, to 117.58 million from 117.68 million. The drop in downloads was the first since Nielsen began tracking them in 2003. About 41 percent of all album sales were downloads, up from 37 percent in 2012. And vinyl remains a growth industry: Nielsen SoundScan reported 6.1 million sales of vinyl LPs, up 33 percent since 2012.

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– http://artsbeat.blogs.nytimes.com/2014/01/03/justin-timberlake-album-was-the-top-seller-in-a-diminished-market/?ref=todayspaper

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I had been sober for five years when I had a slip and started drinking again last August. I had just finished the manuscript of my book, my one-man show was about to air on HBO, and we had a reality series in the can for Fox Sports. I was not accustomed to all that success in an arena other than boxing.

I have such a negative self-image that I just expect bad things to happen to me. And even though I hadn’t been using for five years, all that time I just didn’t feel comfortable in my skin. I was holding secrets from my loved ones, things that I had to get off my chest because I was dying inside. That’s the worst feeling in the world, keeping things to yourself. When I resolved those issues, through therapy and by talking honestly with my family, I felt like a new man. When I relapsed in the past, I would keep getting high until I was in a car accident or got arrested. But this time, after drinking for two or three days, I came back. I didn’t wait for an intervention. I just got right back on the wagon. After years of therapy, I had learned not to beat up on myself. I remembered that relapse is a part of recovery.

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– http://www.nytimes.com/2014/01/04/opinion/mike-tyson-fighting-to-kick-the-habit.html?ref=todayspaper

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Musicmetric listed 20 artists whose work had been illegally downloaded 64.5 million times in 2013. About 70 percent of the downloads were albums; 30 percent were individual tracks.

Mr. Mars’s music accounted for 5,783,556 of those downloads, followed closely by Rihanna (5,414,166), Daft Punk (4,212,361) and Justin Timberlake (3,930,185). Other artists on the list include Flo Rida, Kanye West, Eminem, Jay Z, Maroon 5, Adele and Katy Perry (who holds the No. 20 position, with 2,318,740 downloads).

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– http://artsbeat.blogs.nytimes.com/2014/01/02/bruno-mars-tops-illegal-download-chart/?ref=todayspaper

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